Monday 6 December 2010

Sound

Here is some great, practical advice about sound design creation, giving a real insight into how sound creates meaning.

TASK: An alien spaceship is landing in the school playground. Perhaps is squashes some people, perhaps some are burnt to cinders by Hydron-radiation gama tubes... What everyday sounds could you record and play to give this sequence its sound track? How would they work semiotically? (Remember the gun/knife effects of the timer starting in the Saw extract?)

More advanced techniques include 'Songtage' (neologism of 'song' and 'montage' - I guess moong wouldn't have sounded so good) also known as a 'foundtrack' (they're good at these neolgisms, Media types are). Find out what they are here.

TASK: Think of your favourite song. How could it be used to underscore emotional tension in your favourite TV drama? Or work the other way; what pop song would best fit your favourite TV drama opening sequence?
Why do it? Find out here.

Thursday 2 December 2010

Editing

Hi Folks,

Editing ppt is uploaded below. Remember the examples we also talked about....

Montage - creating meaning by building up a variety of shots. like bricks in a wall. Team America Montage sequence does a grand job of explaining this, but if you want to see extended use, search YouTube for 'man with a movie camera' and find the Dziga Vertov film.

Juxtaposition / Collision Montage - meaning is created in the contrast between two shots or sets of images. 'Apocalypse Now Kurtz Death' (YouTube it) is an excellent example, Old-Skool (original) use of the device can be found if you look for 'Odessa Steps Eisenstein' on YouTube - an army attack a group of civilians whilst a baby carriage tumbles towards the sea -meaing-making-tastic!

And the film we were watching in class was called At Land, by Maya Derren. You know you want to watch it all the way through!